Angustia de Las Influencias by Harold Bloom at – ISBN – ISBN – Monte Avila Editores Latinoamericana . 6 jan. ANGÚSTIA DA INFLUÊNCIA HAROLD BLOOM NEW CRITICISM Angústia da Influência: ANGUSTIA DA INFLUÊNCIA Um poeta ou escritor. Get this from a library! La angustia de las influencias: una teoría de la poesía. [ Harold Bloom].
|Published (Last):||7 June 2006|
|PDF File Size:||9.24 Mb|
|ePub File Size:||9.49 Mb|
|Price:||Free* [*Free Regsitration Required]|
It was the first in a series of books that advanced a new “revisionary” or antithetical  approach to literary criticism. Views Read Edit View history.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Learn how and when to remove these template messages. Bloom’s central thesis is that poets are hindered in their creative process by the ambiguous relationship they necessarily maintained with precursor poets. Articles needing additional references from August All articles needing additional garold Articles lacking reliable references from August All articles lacking reliable references Articles that may contain original research from August All articles that may contain original research Articles with multiple maintenance issues Pages to import images to Wikidata.
Bloom introduces his six revisionary ratios in the following manner, which he consistently applies in this book as well as his successor volume titled A Map of Misreading. In The Anxiety of Influence and other early books, Bloom claimed that influence was particularly important for post- enlightenment poets.
Cover of the first edition. The book itself is divided into six major categories, called “six revisionary ratios” by Bloom.
Angustia de Las Influencias
Such an agonBloom argues, depends on six revisionary ratios,  which reflect Freudian and quasi-Freudian defense mechanisms, as well as the tropes of classical rhetoric.
This article needs additional citations for verification.
This article has multiple issues. Thus Bloom attempts to work out the process by which the small minority of ‘strong’ poets manage to create original work in spite of haold pressure of influence.
The Anxiety of Influence: Influwncias admitting the influence of extraliterary experience on every poet, he argues that “the poet in a poet” is inspired to write by reading another poet’s poetry and will tend to produce work that is in danger of being derivative of existing poetry, and, therefore, weak. Before writing this book, Bloom spent a decade studying the Romantic poets of the early nineteenth century. This page was last edited on 28 Augustangusyia Because poets historically emphasize an original poetic vision in order to guarantee their survival into posterity i.
A Theory of Poetry is a book by Harold Bloom. From Wikipedia, the free encyclopedia.
Please improve this by adding secondary or tertiary sources. A Theory of Poetry.
La angustia de las influencias: una teoría de la poesía – Harold Bloom – Google Books
This article relies too much on references to primary sources. Conversely, he suggested that influence might have been less of a problem for such poets as Shakespeare and Ben Jonson.
Please help improve it or discuss these influencia on the talk page. This is reflected in the emphasis given to those poets and their struggle with the influence of John MiltonRobert Browning, and Edmund Spenser. August Learn how and when to remove this template message. Please improve it by verifying the claims made and adding inline citations. This article possibly bloom original research. Statements consisting only of original research should be removed.